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GF: So being a painter for so long, how did these pictures start to play there role in your palette of all things Futura,also how would you describe the recent photos?
FUTURA: Props to ART CRIMES for that initial interview. NINETEEN NINETY SIX©
www.graffiti.org/futura/futura.html
In the MID NINETIES when I gravitated to the INTERNET . . . I had two objectives.
ONE: create maintain produce and upload all content on that ORIGINAL domain.
Learning HTML at that time was easy. if you know how to copy&paste . . . anything is possible. of course I’m not saying looking at some other existing site and CLONING that; I’m saying understanding the most generic embedding code; which is all you need. At such point simply insert (your own) media and MARKINGUP all the necessary text&images. The personal propaganda can revolve around any subject you like. Most from our culture show images of work and extend the VIRTUAL GRAFFITI experience. I say that’s cornball. I mean I get that, that’s always what the community will do. It’s the PROTOCOL. But I’m different. By NINETY FIVE it had all been done. The entire journey from toys to trophies. So there’s a desire to move on; and the INTERNET was a massive highway. I got in the fast lane. Even back then I understood the power of personal publishing. Not having to depend on someone else’s knowledge to enable you to do what you want. You must be empowered; you must learn. You must be AUTONOMOUS.
TWO: in the process of doing all that . . . I am trying to communicate with the END USER but not on a ONE DIMENSIONAL level. On a MULTIDIMENSIONAL one. Make people think and possible even confuse them in the process. hahaha. A psychological experiment with over a HUNDRED pages of a internal extremities. That site is the architectural template for the FUTURA book released in TWOTHOUSAND.
Cut to the chase . . . in the past few years I have reCONNECTED with IMAGES and INFORMATIONS. My personal donation to the WORLD at LARGE. My voyages and experiences;
The last THREE years archived here:
I’ve only been on FLICKR for little over a year; but I like this application. Real comments; not GENERIC ones. My only complaint is FLICKRGROUPS. That world is just too artificial. Visually I prefer FLICKRIVER:
www.flickriver.com/photos/futuradosmil/
Because who doesn’t love a BLACKGROUND now I’m into FLUIDR:
www.fluidr.com/photos/futuradosmil
Because I like some DATA with the DATABASE.
GF: I remember Buying your book and being blown away. Not in the respect that hey this is a good book great archive of flicks, but in the way that you see for the first time what is possible with print, What is able to be done in a medium that you thought had already been established. I think in the Last 20 years still only Damien Hirst’s book “I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now” was even close to as groundbreaking and that was almost 6 years after yours had dropped.
I had the same experience when visiting your website for the first time, i don’t think i had the same experience once visiting that site. Coming back to your site was like viewing a new site, it was as if you had rearranged things. I can see where you are coming from with that as far as thinking outside the box and beyond anything that is considered normal. The problem is and I include myself, is that we approach a wall or canvas we are about to paint with the thought of creating something that is fresh and new, but rarely do we do this in all aspects of what we make public. For Example blogs websites, books etc. I feel you are the true definition of a way to look at progression, it is seeing it before it comes and already moving on. With Social Media being now fed to the public it constitutes once again a new shift. I guess i will be watching you closely as I am sure you have already devised a plan for something that will be beyond social media.
I also agree with your take on Flickr it is the most direct way to interact and get genuine feedback from people that are watching you. The groups section is OK as a default tool, but i do like the other applications you mentioned. Most websites default tools now days pale in comparison to 3rd party applications that utilize them. To me these applications are the next level of digital tailoring. If your Web experience doesn’t fit you, developers out there are tailoring specialized applications to suck you in even deeper. Now with the launch of the ipad and the paradigm shit to digital books/videos such as new medium such vook.com , I can only imagine what you will come up with in these new mediums in the future.
You talked about personal publishing which in essence now is Blogs. To me great sites and blogs fill a void that is not well represented, the real long tail so to speak of. Watching your flickr pics is like seeing glimpses of a legend that are real hidden treasures through your eyes. You give us enough to want to keep coming back for more telling stories without words, and yet still capturing with the nuances and manipulation of colors, angles, cropping. We can still see the painter that is Futura aka Futuradosmil even in photography.
Thanks for taking the time to talk with me and allowing me to publish some of your work on the site.
Any last words or topics you want to mention.
FUTURA: Thank you very much. you seem to be an extremely bright individual. that’s very IMPORTANT. there are definitely too many QUASIMODO’s in the MIX. I wanted to finish by mentioning a few things (obviously, I’m a list maker) first and FOREMOST; don’t ever allow anyone to dictate what you’re not capable of (personal peeps or professional participants) because only you control the MASTERPROGRAM. secondly and then seriously; don’t think too much of yourself. in the larger scheme of time&space (you must have realized) we are utterly insignificant. therefore; have alot of fun doing your thing (however bizarre that might be) while you try and micromanage emotions&economics.
The serious part. If you are prepared to or have taken a larger step at creativity; as in motherhood/fatherhood then I commend you. Nothing I have ever done or will ever do; will be as BRILLIANT as the TWO stars in my life. TIMOTHY&TABATHA will forever be works in progression.
THE RIDDLER
You can view Futura’s Flickr Page here

22 comments
FUTURADOSMIL says:
Apr 3, 2010
GRAFFUTURISM
POESIA
once again thank you for your interest in my EVOLUTION. hahahaha. I have always tried to speak on matters from a personal experience and not a historical perspective. I am not standing on a SOAPBOX telling everyone about what really happened “BACK IN THE DAY” because: I have only my own memory and adventures to call upon. my theory is . . . who really cares. as of tomorrow; I encourage your viewership to continue in their own artistic endeavors and in the process DISCOVER INVENT FABRICATE something that is as unique as your FINGERPRINT.
poesiatranscend says:
Apr 3, 2010
I guess i do throw around the Evolution word alot haha, but its only because we are living in the future one minute at a time and most artists are still thinking about the past and dwelling upon it. It was an honor getting you to talk about your journey, and show people what is possible outside of the realms of orthodox thinking.
David SI says:
Apr 17, 2010
Respect
Futura 2000 Photography Interview « WHATYOUWRITE.COM says:
Apr 4, 2010
[...] Read Full Story Here [...]
IOU says:
Apr 4, 2010
Completely bad ass. Thanks for this Poe and Futura.
Graffuturism: Futura 2000 Photography Interview | Hypebeast says:
Apr 4, 2010
[...] photography affected has integrated into his visual communication. The short interview can be seen here with an excerpt seen below. Furthermore, Futura 2000’s Flickr account provide an ongoing [...]
Futura2000 Photography « I Love Graffiti English says:
Apr 5, 2010
[...] Graffturism.com caught up with Futura2000 and had a chat about his photography. Read the interview and really nice shots here [...]
www.playcloths.com » Blog Archive » Futura 2000 Photography Interview says:
Apr 5, 2010
[...] his world one frame at a time. I got to catch up with Futura and here is our brief conversation. – Graff (Read Full Interview) by Play [...]
FUTURADOSMIL says:
Apr 5, 2010
this interview has seemingly gone FULLBLAST. if I would have know that; I would have said something more INSIGHTFUL. grazie mille.
Graffuturism: Futura 2000 Photography Interview : Jet Fuel Abusers says:
Apr 5, 2010
[...] photography affected has integrated into his visual communication. The short interview can be seen here with an excerpt seen below. Furthermore, Futura 2000’s Flickr account provide an ongoing series [...]
Magic Price Cosmos » Futura 2000 – Interview über Fotografie & Internet says:
Apr 5, 2010
[...] das komplette Interview auf Graffuturism Futura 2000 auf [...]
futura 200 interview on graffuturism « A dice&dice blog by mikey says:
Apr 7, 2010
[...] see it HERE [...]
Futura X Flickr | This Is Science says:
Apr 7, 2010
[...] Interview: http://graffuturism.com/2010/04/03/futura-2000-photography-interview/ [...]
Street Giant » Graffuturism: Futura 2000 Interview says:
May 6, 2010
[...] photography affected has integrated into his visual communication. The short interview can be seen here with an excerpt seen below. Furthermore, Futura 2000’s Flickr account provide an ongoing series [...]
j says:
Jun 7, 2010
i could have sworn back in the day i went to futura’s website and he was selling fonts or had fonts to download. maybe not.
FUTURADOSMIL says:
Jun 19, 2010
Let’s make this very CRYSTAL CLEAR . . . I HAVE NEVER; NOR WOULD I EVER . . . waste my time making or selling fonts. I think you are quite MISTAKEN SIR. oh wait holdup . . . do you mean the (idiot) or (idiots) who created? what (they) were calling the MCGURR SCRIPT. hmm that’s an ORIGINAL name. let’s REVISIT that fascination with my handwriting. yes I remember . . . back then when it wasn’t enough to (simply ask me) to hand write something for you; someone makes an awful version using what? FONTOGRAPHER or POLICEMAKER. to make matters worse, it was actually SOLD&CIRCULATED. the fact is . . . a workable font cannot really be created from my handwriting because the letters&words have to flow . . . based on the what the next letters or words are. those letters cannot be INDIVIDUALIZED in such a GRAPHIC utensil manner. the spacing&alignment will never work (via) normal formats. in conclusion it’s (maybe not) on all fonts&fronts . . . sorry BOSS.
FUTURADOSMIL
Alex holden says:
Oct 18, 2010
Dear Futuradosmil
Are you futura?
If you are, I’m a mature student in my final year at the London Collage of Communication. Im doing my critical studies essay on hybrid – Artist/Designer’s Work Practises, pacifically Im interested in you and your work. I would like to arrange a short email to email or Skype interview to ask a few questions about your creative practise. I can write you a more detailed propsal if you want to know more before you decided?
I hope you will say yes and I will looking forward to hearing from soon.
Kind Regards
Alex Holden
FUTURADOSMIL says:
Nov 29, 2010
MR. HOLDEN.
QUESTIONS&COMMENTS . . . futuradosmil@mac.com
J says:
Jul 17, 2010
ha. Yeah, I just remember going to a site and it was similar to some of your stuff.
anyway – what kind of camera(s) are you using?
The Reference Council says:
Jun 15, 2011
[...] Read it here. [...]
Futura2000… na zdjęciach | LINEOUT.PL | LINEOUT.PL says:
Mar 5, 2012
[...] Futura jest także całkiem niezgorszym fotografem. Na szczęście dzięki nieocenionemu blogowi graffuturism zyskujemy wgląd w tę dziedzinę jego twórczości oraz krótki wywiad na ten temat. My natomiast [...]
Futura’s Future-Shock « SL Art HUD Blog Thingie: says:
Sep 13, 2012
[...] On a MULTIDIMENSIONAL one. Make people think and possible even confuse them in the process. – Futura Futura’s limited edition VS cognac from Hennessy. Like this:LikeBe the first to like [...]